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After moving to Los Angeles, she made several guest appearances in television, and took on "mean girl" parts in small-scale features.Her first major role came in Steven Spielberg's 2002 biopic Catch Me If You Can, opposite Leonardo Di Caprio, but she was unemployed for a year afterward.
During a performance of Anything Goes at the Country Dinner Playhouse in 1995, she was spotted by Michael Brindisi, the president and artistic director of the Minneapolis-based Chanhassen Dinner Theater, who offered her a job there.She trained to be a ballerina, but at age 18 found musical theater a better fit, and from 1994 to 1998 she worked in dinner theater.She made her feature film debut with a supporting part in the 1999 satire Drop Dead Gorgeous.In 2013 she began portraying Lois Lane in superhero films set in the DC Extended Universe.She won two consecutive Golden Globe Awards for Best Actress for playing a seductive con artist in the crime film American Hustle (2013) and the troubled painter Margaret Keane in the biopic Big Eyes (2014).In 2014, she was named one of the 100 most influential people in the world by Time and featured in the Forbes Celebrity 100 list.
Adams is married to the actor Darren Le Gallo, with whom she has a daughter. She was not academically inclined, but was interested in the creative arts and sang in the school choir.
Although she competed in track and gymnastics, she harbored ambitions of becoming a ballerina and trained as an apprentice at the local David Taylor Dance Company.
The job required her to wait on tables before getting up on stage to perform.
Later in 2005, Adams had supporting parts in two critically panned films—the romantic comedy The Wedding Date, starring Debra Messing and Dermot Mulroney, and the ensemble coming-of-age film Standing Still.
In Talladega Nights: The Ballad of Ricky Bobby, a sports comedy from Adam Mc Kay, Adams played the romantic interest of Will Ferrell's character, which critic Peter Travers deemed "quite a comedown" from her role in Junebug.
Despite a negative critical reception, Nathan Rabin of the A. Club wrote that Adams plays her "alpha-bitch role with vicious glee largely missing from Sarah Michelle Gellar's sterile take on the character".